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	 Miami Vice Movie Review (2006)
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<h1>Miami Vice</h1> <h2>Reviews</h2>
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<ul><li><a href="/movie/156540/miami-vice/">Overview</a></li><li><a href="/movie/156540/miami-vice/clips/">Clips</a></li><li class="tabOn"><span>Reviews</span></li><li><a href="/movie/156540/miami-vice/cast/">Cast</a></li><li><a href="/movie/156540/miami-vice/comments/">Comments</a></li><li class="alerts-tab"><a href="/movie/156540/miami-vice/alerts/">Get Alerts</a></li></ul>
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                <div id="summary">    <img src="http://cache.Reelz.com/photos/60000/56182/56182_lg.jpg" alt="Poster for Miami Vice" />        <ul>                        <li>                <span class="label">Directed By: </span>                                    <a href="/person/90700/michael-mann/">Michael Mann</a>                             </li>                                    <li>                <span class="label">Starring: </span>                                    <a href="/person/165449/colin-farrell-i/">Colin Farrell (I)</a>,                                     <a href="/person/79904/jamie-foxx/">Jamie Foxx</a>,                                     <a href="/person/249455/li-gong/">Li Gong</a>                            </li>                        <li><span class="label">Year: </span><a href="/release-year/2006/">2006</a></li>            <li><span class="label">MPAA Rating: </span>R</li>             <!--<li><span class="label">Genre: </span></li>  -->            <li><span class="label">Theatrical Release: </span>7.28.2006</li>                            <li><span class="label">DVD Release: </span>12.5.2006</li>              <li><span class="label">Plot Summary: </span>A case involving drug lords and murder in South Florida turns personal for detectives Sonny Crockett (Colin Farrell) and Ricardo Tubbs (Jamie Foxx).</li>          </ul></div>

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            <h2>Reviews</h2> 
            <div id="movie-review"><table cellspacing="1" cellpadding="0" >    <tr>        <td class="graph heading"><span class="label">CRITICS</span><span class="avg-rating large rate6">6.0</span></td>        <td>&nbsp;</td>        <td class="graph heading"><span class="label">USERS</span><span class="avg-rating large rate5">5.8</span></td>    </tr>    <tr>        <td class="graph">                        <table cellspacing="1" cellpadding="0" class="histogram">                <tbody>                    <tr>                                                    <td><div class="rate1" style="height: px;"><img width="1" height="1" src="images/transparent.gif"></div></td>                                                    <td><div class="rate2" style="height: px;"><img width="1" height="1" src="images/transparent.gif"></div></td>                                                    <td><div class="rate3" style="height: 15px;"><img width="1" height="1" src="images/transparent.gif"></div></td>                                                    <td><div class="rate4" style="height: px;"><img width="1" height="1" src="images/transparent.gif"></div></td>                                                    <td><div class="rate5" style="height: 45px;"><img width="1" height="1" src="images/transparent.gif"></div></td>                                                    <td><div class="rate6" style="height: 75px;"><img width="1" height="1" src="images/transparent.gif"></div></td>                                                    <td><div class="rate7" style="height: 75px;"><img width="1" height="1" src="images/transparent.gif"></div></td>                                                    <td><div class="rate8" style="height: 60px;"><img width="1" height="1" src="images/transparent.gif"></div></td>                                                    <td><div class="rate9" style="height: px;"><img width="1" height="1" src="images/transparent.gif"></div></td>                                                    <td><div class="rate10" style="height: px;"><img width="1" height="1" src="images/transparent.gif"></div></td>                                            </tr>                    <tr><td class="xAxis">1</td><td class="xAxis">2</td><td class="xAxis">3</td><td class="xAxis">4</td><td class="xAxis">5</td><td class="xAxis">6</td><td class="xAxis">7</td><td class="xAxis">8</td><td class="xAxis">9</td><td class="xAxis">10</td></tr>                </tbody>            </table>        </td>        <td>&nbsp;</td>        <td class="graph">                        <table cellspacing="1" cellpadding="0" class="histogram">                <tbody>                    <tr>                                                    <td><div class="rate1" style="height: 25px;"><img width="1" height="1" src="images/transparent.gif"></div></td>                                                    <td><div class="rate2" style="height: 13px;"><img width="1" height="1" src="images/transparent.gif"></div></td>                                                    <td><div class="rate3" style="height: 38px;"><img width="1" height="1" src="images/transparent.gif"></div></td>                                                    <td><div class="rate4" style="height: 25px;"><img width="1" height="1" src="images/transparent.gif"></div></td>                                                    <td><div class="rate5" style="height: 75px;"><img width="1" height="1" src="images/transparent.gif"></div></td>                                                    <td><div class="rate6" style="height: px;"><img width="1" height="1" src="images/transparent.gif"></div></td>                                                    <td><div class="rate7" style="height: 50px;"><img width="1" height="1" src="images/transparent.gif"></div></td>                                                    <td><div class="rate8" style="height: 38px;"><img width="1" height="1" src="images/transparent.gif"></div></td>                                                    <td><div class="rate9" style="height: 25px;"><img width="1" height="1" src="images/transparent.gif"></div></td>                                                    <td><div class="rate10" style="height: 38px;"><img width="1" height="1" src="images/transparent.gif"></div></td>                                            </tr>                    <tr><td class="xAxis">1</td><td class="xAxis">2</td><td class="xAxis">3</td><td class="xAxis">4</td><td class="xAxis">5</td><td class="xAxis">6</td><td class="xAxis">7</td><td class="xAxis">8</td><td class="xAxis">9</td><td class="xAxis">10</td></tr>                </tbody>            </table>        </td>    </tr>    <tr>        <td class="critic-review-panel">                        <span class="rating large rate8">8</span>            <p class="critic-quote">Mann essentially builds a luxury suite for material normally confined to a by-the-hour motel, but sometimes trash can be art, too.</p>            <p class="critic-name">&mdash;Scott Tobias <cite><a target="new" href="http://www.avclub.com/content/node/51077">Onion AV Club</a></cite></p>            	    </td>	    <td>&nbsp;</td>	    <td class="user-ratings-panel commentOverlay" >            <table cellspacing="1" cellpadding="0">                <tbody>                    <tr><td>Your Rating</td></tr>                    <tr>                        <td id="user-ratings">                                                        <a class="rating rate1 " href="javascript:setMovieRating(156540, 1)">1</a>                                                                                <a class="rating rate2 " href="javascript:setMovieRating(156540, 2)">2</a>                                                                                <a class="rating rate3 " href="javascript:setMovieRating(156540, 3)">3</a>                                                                                <a class="rating rate4 " href="javascript:setMovieRating(156540, 4)">4</a>                                                                                <a class="rating rate5 " href="javascript:setMovieRating(156540, 5)">5</a>                                                                                <a class="rating rate6 " href="javascript:setMovieRating(156540, 6)">6</a>                                                                                <a class="rating rate7 " href="javascript:setMovieRating(156540, 7)">7</a>                                                                                <a class="rating rate8 " href="javascript:setMovieRating(156540, 8)">8</a>                                                                                <a class="rating rate9 " href="javascript:setMovieRating(156540, 9)">9</a>                                                                                <a class="rating rate10 " href="javascript:setMovieRating(156540, 10)">10</a>                                                                            </td>                        <td id="user-ratings-not-logged-in"><p>Please <a href="javascript:displayLoginForm();">login/register</a> to rate this movie.</p></td>                    </tr>                </tbody>            </table>         </td>    </tr></table><ul><li class="critic-review-panel">    <span class="rating large rate8">8</span>    <p class="critic-quote">Mann essentially builds a luxury suite for material normally confined to a by-the-hour motel, but sometimes trash can be art, too.</p>    <p class="critic-name">&mdash;Scott Tobias <cite><a target="new" href="http://www.avclub.com/content/node/51077">Onion AV Club</a></cite></p></li><li class="critic-review-panel">    <span class="rating large rate8">8</span>    <p class="critic-quote">Since what we are watching, at least as an exercise in style, bears little resemblance to the real world, we can sit back and bask in the sheer kickiness of it all. It&#39;s like gawking at the most expensive action video game ever devised.</p>    <p class="critic-name">&mdash;Peter Rainer <cite><a target="new" href="http://www.csmonitor.com/2006/0728/p11s03-almo.html">Christian Science Monitor</a></cite></p></li><li class="critic-review-panel">    <span class="rating large rate8">8</span>    <p class="critic-quote">Mixing pop savvy with startling formal ambition, Mr. Mann transforms what is essentially a long, fairly predictable cop-show episode into a dazzling (and sometimes daft) Wagnerian spectacle.</p>    <p class="critic-name">&mdash;A. O. Scott <cite>New York Times</cite></p></li><li class="critic-review-panel">    <span class="rating large rate8">8</span>    <p class="critic-quote">The antidote to <em>M:i:III</em>, <em>Pirates II</em> and every other circus of coagulated stunts is &#34;Miami Vice,&#34; my favorite Hollywood movie of the summer so far.</p>    <p class="critic-name">&mdash;Kyle Smith <cite>New York Post</cite></p></li><li class="critic-review-panel">    <span class="rating large rate7">7</span>    <p class="critic-quote">...this may be Mann&#39;s most brutally efficient policier yet: The characters scarcely have personalities; they are nearly soulless nocturnal warriors. But watching them go about their deadly serious business nevertheless puts you in a state of high anxiety.</p>    <p class="critic-name">&mdash;Scott Foundas <cite><a target="new" href="http://www.villagevoice.com/film/0630,foundas,73971,20.html">Village Voice</a></cite></p></li><li class="critic-review-panel">    <span class="rating large rate7">7</span>    <p class="critic-quote">I got the feeling that Mann remains embarrassed by the &#39;80s-cheese, fashion-plate showiness of his beloved series, and that he was determined not to fall back into it. His movie, as entertaining as some of it is, is so cool that it&#39;s almost too cool. It takes the sin, and much of the juice, out of vice.</p>    <p class="critic-name">&mdash;Owen Gleiberman <cite><a target="new" href="http://www.ew.com/ew/article/review/movie/0,6115,1219232_1_0_,00.html">Entertainment Weekly</a></cite></p></li><li class="critic-review-panel">    <span class="rating large rate7">7</span>    <p class="critic-quote">...a gritty, ultra-dark thriller, and it contains two of the best &#34;kill shot&#34; scenes in recent years. </p>    <p class="critic-name">&mdash;Richard Roeper <cite>Chicago Sun-Times</cite></p></li><li class="critic-review-panel">    <span class="rating large rate7">7</span>    <p class="critic-quote">This is perfect grown-up summer entertainment, packed with action and served up in sleek, ultracool style.</p>    <p class="critic-name">&mdash;Pete Hammond <cite><a target="new" href="http://www.maximonline.com/entertainment/reviews.aspx?p_id=12096">Maxim</a></cite></p></li><li class="critic-review-panel">    <span class="rating large rate7">7</span>    <p class="critic-quote">...this may be Mann&#39;s most brutally efficient policier yet: The characters scarcely have personalities; they are nearly soulless nocturnal warriors. But watching them go about their deadly serious business nevertheless puts you in a state of high anxiety.</p>    <p class="critic-name">&mdash;Scott Foundas <cite>LA Weekly</cite></p></li><li class="critic-review-panel">    <span class="rating large rate6">6</span>    <p class="critic-quote">Mann gives the film a hard, icy sheen, but all that glitters isn&#39;t gold.</p>    <p class="critic-name">&mdash;Maitland McDonagh <cite><a target="new" href="http://online.tvguide.com/newsearch/detail.aspx?tvobjectid=279943&amp;more=ucmoviereview">TV Guide</a></cite></p></li><li class="critic-review-panel">    <span class="rating large rate6">6</span>    <p class="critic-quote">...a pretty lightweight movie with a threadbare premise and, in a way, it&#39;s nice to see Mann attacking a movie that is unpretentious pulp. If it had the smarts to get in and out of its admittedly slim storyline fast, it might have been more enjoyable than it is.</p>    <p class="critic-name">&mdash;Jeremiah Kipp <cite>Slant Magazine</cite></p></li><li class="critic-review-panel">    <span class="rating large rate6">6</span>    <p class="critic-quote">The inelegant story issues do not help this rather dour popcorn film. Yet it has its moments.</p>    <p class="critic-name">&mdash;Michael Phillips <cite>Chicago Tribune</cite></p></li><li class="critic-review-panel">    <span class="rating large rate6">6</span>    <p class="critic-quote">...by process of elimination, the real star of the film is Mann. He certainly puts on a show for the audience, staging two stellar setpieces (a police raid on a trailer park, as well as the climactic shoot-out in a deserted shipping yard) and repeatedly demonstrating the merits of the latest digital camera technology.</p>    <p class="critic-name">&mdash;Ethan Alter <cite>Premiere</cite></p></li><li class="critic-review-panel">    <span class="rating large rate6">6</span>    <p class="critic-quote">This is a <em>Miami Vice</em> for the aughties--violent, gritty and grim. Maybe too grim.</p>    <p class="critic-name">&mdash;Matt Stevens <cite>E!</cite></p></li><li class="critic-review-panel">    <span class="rating large rate5">5</span>    <p class="critic-quote">...if the [original] series was a party, this violent, empty-headed exercise is a hangover, dull-witted and painful.</p>    <p class="critic-name">&mdash;Pam Grady <cite>Reel</cite></p></li><li class="critic-review-panel">    <span class="rating large rate5">5</span>    <p class="critic-quote">...looks fabulous. Too bad it&#39;s so tedious.</p>    <p class="critic-name">&mdash;Leah Rozen <cite>People</cite></p></li><li class="critic-review-panel">    <span class="rating large rate5">5</span>    <p class="critic-quote">While the moviemaking in <em>Miami Vice</em> is impeccable as always, its story finally turns out to be too flimsy a reed to support all of the weight put on it.</p>    <p class="critic-name">&mdash;Kenneth Turan <cite><a target="new" href="http://www.calendarlive.com/movies/reviews/cl-et-vice28jul28,0,4539261.story">Los Angeles Times</a></cite></p></li><li class="critic-review-panel">    <span class="rating large rate3">3</span>    <p class="critic-quote">...will cure insomnia, set the advancement of digital cinematography back a few years, and unsuccessfully argue in favor of the mullet as an acceptable coif style.</p>    <p class="critic-name">&mdash;Sean O&#39;Connell <cite><a target="new" href="http://filmcritic.com/misc/emporium.nsf/2a460f93626cd4678625624c007f2b46/f00d91b7cabee4f2882571b700538c28?OpenDocument">filmcritic.com</a></cite></p></li></ul></div>
             
            <div class="reviews">    <ul class="rev">            <li>            <a name=884></a>            <h3>Thomas Leupp </h3>            <div><b>ReelzChannel.com</b>, December 06, 2006</div>            <div><p><br /><em>No Pink Flamingos in this spotty cop drama</em></p><p><br /><a href="/persondetail.aspx?personid=90700">Michael Mann</a>'s 21st-century cinematic update of his seminal TV series bears little resemblance to its pastel-drenched predecessor. The signature duo of Crockett and Tubbs is back, with <a href="http://www.Reelz.com/persondetail.aspx?personid=69946">Colin Farrell</a> and <a href="http://www.Reelz.com/persondetail.aspx?personid=79904">Jamie Foxx</a> replacing '80s stars <a href="http://www.Reelz.com/persondetail.aspx?personid=156544">Don Johnson</a> and <a href="http://www.Reelz.com/persondetail.aspx?personid=244004">Philip Michael Thomas</a>, and there are plenty of fast cars, beautiful women and bling. But that's where the similarities end. The film's tone is darker, edgier, and without much of the humor that helped make the TV series so much fun. </p><p><br />The plot of <em><a href="http://www.Reelz.com/moviedetail.aspx?movieid=156540">Miami Vice</a></em> revolves around Crockett and Tubbs going deep undercover to infiltrate the violent world of narcotics trafficking. What begins as a small, local operation soon evolves into a multinational effort to track down one of the world's most prolific kingpins. </p><p><br />It's clear from the outset that Mann looked to create something very different from the original series. His primary aim is to capture the angst of cops working undercover and living on the edge. Aside from the stellar shootout finale (which harkens back to Mann's work in films like <em><a href="http://www.Reelz.com/moviedetail.aspx?movieid=222534">Heat</a></em>), the story is short on action and long on existential torment. </p><p><br />The plot is at times extraordinarily confusing; it's difficult to track who's working for whom and who's selling what. On top of that, <a href="/persondetail.aspx?personid=76901">Gong Li</a>'s dialogue is almost completely incomprehensible. Farrell isn't all that easy to understand either, which makes the romantic subplot involving the two particularly frustrating.</p><p><br /><strong>ReelzChannel Rating:</strong>&nbsp; <img height=40 alt=5 src="http://cache.Reelz.com/assets/content/general/reelz-rating-5.gif" width=42 align=absMiddle></p><p><br /><strong>What's on the disc: </strong></p><p><br />The DVD is billed as the "Unrated Director's Edition." At the beginning of his commentary, Mann emphasizes that the theatrical version was the "director's cut" and that he merely retooled the film slightly, altering the opening, adding a few scenes and using different takes. </p><p><br />Interestingly, the Director's Commentary consists mainly of Mann explaining the story, which makes the film a lot easier to understand and much more enjoyable. Mann clearly knows his stuff; he talks in great detail about the machinations of the modern drug trade and the tactics used to combat it. It's just too bad he wasn't able to articulate it better on celluloid. For those who have already seen the movie in theaters, I recommend skipping the regular version entirely and watching the one with commentary.</p><p><br /><strong>Special Features: </strong></p><p><br /><strong><em>Miami Vice</em> Undercover</strong> &#8211; An interview with real-life former undercover agents who served as consultants on the film. </p><p><br /><strong>Miami &amp; Beyond: Shooting on Location</strong> &#8211; An exploration of some of the exotic Latin American locales featured in <em>Miami Vice</em>.</p><p><br /><strong>Visualizing <em>Miami Vice</em></strong> &#8211; A look at storyboarding and other aspects of the film's production design. </p><p><br /><strong>Behind the Scenes Featurettes</strong> &#8211; Three short documentaries chronicling the cast's guns training, action scene blocking and speedboat racing. </p></div>        </li>        </ul></div>

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