- 6
...we've been down this dark Goth road one too many times before to get fired up about it.
—Scott Brown Entertainment Weekly
- 6
This low-budget thriller, charming in its modesty, is more Romeo and Juliet in Romania than horror film...
—M.K. Terrell Christian Science Monitor
- 6
Scant blood and graceful werewolves make this the perfect date movie if you're trying to nail a goth babe.
—Skylaire Alfvegren E!
- 5
...deeply silly and vaguely sexy, in an oddly chaste look-but-don't-touch kind of way.
—Maitland McDonagh TV Guide
- 4
...exactly what its title implies, a movie itself caught between two worlds, a sweet and sour concoction that all adds up to a lot of nonsensical scenes in search of an idea.
—Pete Hammond Maxim
- 4
...a botched adaptation...
—Tim Knight Reel
- 4
This is the type of movie that looks like it was set and filmed in Romania to save money, and then filmed on cheap sets anyway, to save even more money.
—Jesse Hassenger filmcritic.com
- 3
...derivative and dim-witted...
—Nick Schager Slant Magazine
- 3
...a relentlessly silly horror/fantasy/romance that is merely the latest twist on a tired premise.
—Lael Loewenstein Los Angeles Times
- 3
A romantic triangle between werewolves and humans doesn't sound dull, but director Katja von Garnier seems to determined to drain the life out of it.
—Keith Phipps Onion AV Club
- 3
It never frightens. It rarely lands a laugh. And while it isn't cheap looking, the primitive editing and optical effects "transformation'' of these shape-shifters and the no-name cast tell you they didn't have the money to do anything interesting with the second most-exhausted genre in all of film horror.
—Roger Moore Chicago Tribune
- 3
Uninvolving and cliché-ridden...
—Jeannette Catsoulis New York Times
- 2
...the kind of werewolf flick that seems to have used up its entire special-effects budget on canine contact lenses.
—Kyle Smith New York Post
- 1
...if you care a goddamn thing about your evening's entertainment, you'll walk out of this howler before you ever buy a ticket.
—Luke Y. Thompson LA Weekly